The solution is not to be found in the result achieved but in the way of achieving it. Rather doe it lie in a psychological fact, to wit, in completely satisfying our appetite for illusion by a mechanical reproduction in the making of which man plays no part. The fact that a human hand intervened cast a shadow of doubt over the image. No matter how skillful the painter, his work was alwasy in fee to an inescapable subjectivity. Photography has freed the plastic arts from their obsession with likeness. Perspective was the original sin of Western painting. Photograph : the evolution of the pictorial. p.6.Ĭombine this spiritual expression with as complete an imitation as possible of the outside world. Seen in this sociological perspective photography and cinema would provide a natural explanation for the great spritual and technical crisis that overtook modern painting around the middle of the last century. 인간은 계속 대상을 preserve하는 것에 열광해왔다 미라도 마찬가지이다.īut all are agreed that the image helps us to remember the subject and to preserve him from a second spiritual death. The ontology of the photographic image Andre Bazin
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |